Synopsis.
Take a mixed bag of women, add a man and you get the ingredients for a
play. Add what goes on in people’s lives behind the facade that everyone
portrays and you have a plot. If the setting is unusual then you have
the basis for a first rate story. This is what happened when Richard
Harris put this mix together in a church hall and made them dance.
There are eight students, who have a variety of backgrounds, ages, sizes
and abilities, and each has his or her own reason for joining. For
instance:-,
Maxine
- a confident, fast-talking saleswoman, is there on doctor's orders
(Wendy Marchant)
Andy
- a plain do-gooder with no confidence participates because it is the
only thing she does for herself.
(Wendy East)
Then there’s snobby but well-meaning Vera.
(Sarah Jayne Bottrill)
Timid Dorothy who works for the Social Security.
(Anne Pinkus)
There’s nurse Lynne – quiet and unassuming
(Jo Halkett)
Cheerfully overweight Sylvia
(Jenny Heusen)
Rose,
fun loving with a foreign accent
(Debbie Pokorny)
Finally, Geoffrey the lone male widower.
(Rob Hine)
Whatever their cause, they make a point of coming every week to chat,
relax and, if they can manage to, learn a couple of dance steps.
Led by Mavis, their eternally patient instructor and
ex-professional dancer
(Lisa Heusen), and accompanied by the acerbic pianist
Mrs.
Fraser
(Sue Harvey).
Finally, a couple of Sugar Plum
Fairies make an appearance
(Melanie Winward and Chris Lepp)
The students (who range from hopeless to competent) strive to master the
basics of dance.
But the steps and routines are just the background for the real focus of
the play -- the relationships and interactions of these ten very
different people. By their final performance, not only have the class
members developed some degree of skill, but they have also overcome the
inhibitions, awkwardness and personality conflicts that have kept them
out of sync.
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